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Who am I writing for?

9/26/2016

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It’s inevitable that a composer’s music is going to be judged by many people. But when composers discusses whose opinion really matters, the conversation gets messy quickly. Should we care about the opinions of our colleagues? Should we care what are audiences think? What about the performers? Does any opinion beyond the composer’s deserve attention?

Ultimately, the answer is murky as the question: it depends. It’s up to composers to prioritize whose ears they care about, and much of that comes from one’s own values and personal experiences.

As someone who has studied both horn performance and composition, I find that I rank the importance of judgement, from highest to lowest:

Myself
Performers
Composers
Audience members

If I’m not satisfied by my music, how do I expect anyone else to be? 
If performers have to practice, rehearse, and present my music, shouldn't I consider their input meaningful?
When my composer colleagues face similar challenges in writing high-quality, shouldn't I trust them?
If an audience member takes the time to come to a performance of one of my pieces, shouldn't I inspire to make a piece worth his or her time?


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  • About
  • Music
    • Chamber >
      • Afterlove
      • Aurora Fanfare & Dance
      • Big Ideas!
      • Brevity is the Soul of Wit
      • Burlesquing Movement
      • Elegy
      • Groove Passing
      • Infinite Spinning
      • Liquidus
      • Music with Oliver
      • Playtime
      • Quadraphonics
      • Red Riding Pictures Proudly Presents
      • Ripple Cycles
      • Serenade for the Ghosts
      • Suite
      • To Rose
      • Toy Chest
    • Piano >
      • Petite Suite
      • Spiral Suite
    • Solo >
      • Mes Amis
      • Mikroczellos
      • Rhapsodie
      • Shades of Green
    • Band/Wind Ensemble >
      • Rocky River Counterpoint
      • The Hinz Waltz
      • The Hinz Waltz 2
    • Orchestral >
      • Jest
      • Many Universes
    • Solo and Ensemble >
      • Loneliness and Imaginations
      • Morceau pour Sill
    • Vocal/Choral >
      • All You Need
      • Lacquer Prints
      • To See a World
      • Untitled Meditation
    • Electronic >
      • Artificial Rainstorm
      • Gasp Grids
      • Requiem
  • Performances
    • 2023
    • 2022
    • 2021
    • 2020
    • 2019
    • 2018
    • 2017
    • 2016
    • 2015
    • 2012-2014
  • Blog
  • Engraving
  • Contact