CHRIS NEINER
  • About
  • Music
    • Chamber >
      • 2-4 Performers >
        • Afterlove
        • Aurora Fanfare & Dance
        • Burlesquing Movement
        • Elegy
        • Groove Passing
        • Music with Oliver
        • Playtime
        • Quadraphonics
        • Ripple Cycles
        • Suite
        • To Rose
        • Toy Chest
      • 5-8 Performers >
        • Big Ideas!
        • Brevity is the Soul of Wit
        • Infinite Spinning
        • Liquidus
        • Red Riding Pictures Proudly Presents
        • Serenade for the Ghosts
        • Time Machine Hyperboles
    • Piano >
      • Petite Suite
      • Spiral Suite
    • Solo >
      • Mes Amis
      • Mikroczellos
      • Rhapsodie
      • Shades of Green
    • Band/Wind Ensemble >
      • Rocky River Counterpoint
      • The Hinz Waltz
      • The Hinz Waltz 2
    • Orchestral >
      • Jest
      • Many Universes
    • Solo and Ensemble >
      • Loneliness and Imaginations
      • Morceau pour Sill
    • Vocal/Choral >
      • All You Need
      • Lacquer Prints
      • To See a World
      • Untitled Meditation
    • Electronic >
      • Artificial Rainstorm
      • Gasp Grids
      • Requiem
  • Projects
    • Trombone Consortium
    • Sunday Studio Series
    • Services & Solutions >
      • Arranging
      • Commissions
      • Engraving
      • Performing
      • Teaching
  • Performances
    • 2023
    • 2022
    • 2021
    • 2020
    • 2019
    • 2018
    • 2017
    • 2016
    • 2015
    • 2012-2014
  • Blog
  • Contact

Groove Passing (2015)

Instrumentation: alto saxophone, viola, double bass, piano
Duration: 7 minutes
Purchase
Program Note:
      I imagined Groove Passing as like watching a train go by, with rhythmic grooves substituting for boxcars. In a semi-through-composed manner, Groove Passing presents four distinct rhythmic grooves [2+2+3, 3+2+2, 2+2+2+2, and 3+3+2]. Each groove is presented in a theme, and then they begin to intertwine and mingle. From the instrumentation of piano, bass, and alto sax, I drew out a musical language inspired by older jazz artists like Dave Brubeck. Formally, I had the idea of the fusing this language with the formal processes of Steve Reich, but there ultimately ended up being a lot more Brubeck than Reich. Groove Passing was composed for the 2015 New Music on the Point Festival.

ABOUT

MUSIC

​Performances

BLOG

Services

CONTACT

  • About
  • Music
    • Chamber >
      • 2-4 Performers >
        • Afterlove
        • Aurora Fanfare & Dance
        • Burlesquing Movement
        • Elegy
        • Groove Passing
        • Music with Oliver
        • Playtime
        • Quadraphonics
        • Ripple Cycles
        • Suite
        • To Rose
        • Toy Chest
      • 5-8 Performers >
        • Big Ideas!
        • Brevity is the Soul of Wit
        • Infinite Spinning
        • Liquidus
        • Red Riding Pictures Proudly Presents
        • Serenade for the Ghosts
        • Time Machine Hyperboles
    • Piano >
      • Petite Suite
      • Spiral Suite
    • Solo >
      • Mes Amis
      • Mikroczellos
      • Rhapsodie
      • Shades of Green
    • Band/Wind Ensemble >
      • Rocky River Counterpoint
      • The Hinz Waltz
      • The Hinz Waltz 2
    • Orchestral >
      • Jest
      • Many Universes
    • Solo and Ensemble >
      • Loneliness and Imaginations
      • Morceau pour Sill
    • Vocal/Choral >
      • All You Need
      • Lacquer Prints
      • To See a World
      • Untitled Meditation
    • Electronic >
      • Artificial Rainstorm
      • Gasp Grids
      • Requiem
  • Projects
    • Trombone Consortium
    • Sunday Studio Series
    • Services & Solutions >
      • Arranging
      • Commissions
      • Engraving
      • Performing
      • Teaching
  • Performances
    • 2023
    • 2022
    • 2021
    • 2020
    • 2019
    • 2018
    • 2017
    • 2016
    • 2015
    • 2012-2014
  • Blog
  • Contact